A Message from REAL (UCE’s Racial Equity Action and Leadership team):
Recently a shocking racist incident occurred at a Unitarian Universalist church – the Thomas Jefferson Memorial Church (TJMC) in Charlottesville, Virginia. Read what happened, and how the recipient of the racism responded, and how the church itself responded. What does this mean for us at UCE? Might this kind of thing happen here? If it did how would we handle it? Do you think TJMC handled it well or would you have done something differently?
Musicians for Easter Service
Marybeth Kurnat (soprano) earned her Bachelor’s degree in music education from Northern Illinois University in 2011. She has been teaching in public schools since 2012, and has taught privately as a woodwind instructor since 2006. She is currently a music educator in the DeKalb School District, and teaches beginning band, jazz, general music and choral music.
Marybeth has built her resumé as a singer on the foundation of her instrumental training as a jazz saxophonist, and her dynamic performing and teaching background is accompanied by a history in composing and arranging for choir, jazz ensemble and concert band. As a singer, she has developed a strong interest in early Baroque music, late Romantic Period lieder, and 20th century American repertoire.
Marybeth performs with the St. Charles Singers, the Canterbury Singers, and the Chicago Choral Artists, for which she currently serves on the Board of Directors as Vice President.
Matthew Agnew studied Suzuki cello from age four with Marilyn Kesler in Okemos, Michigan. In High School he had the benefit of orchestra instruction and guidance from Shirley Mullins, a Janos Starker student, and cello instruction from Jane Katsuyama of the Dayton Philharmonic. He attended DePaul University on scholarship and studied with William Cernota from the Lyric Opera Orchestra. In 2001 he won second place at the Lansing Matinee Musicale Richardson Awards.
Matthew is the principal cellist of the Elgin Symphony Orchestra, a position he has held since 2002. He also plays with several Chicago area orchestras, including Chicago Opera Theater, Music of the Baroque, Chicago Philharmonic Orchestra and the Joffrey Ballet. In 2005 he was awarded the assistant principal position with the Lancaster Festival Orchestra, a summer festival orchestra in Lancaster, Ohio.
Endowment Fund Gift Announcement
We are thrilled to announce that the Endowment Fund recently received a $1,000,000 donation from some very generous UCE members. This amazing gift will allow our congregation to further live out our UU values and principles—to unite as a church community and dream together about how we can do the most good, who we can impact, and where we can effect change.
How does the Endowment Fund work?
The Endowment’s Fund’s by-laws state that each year, 5% of the fund’s year-end balance can be released in the following calendar year to:
- Support special church projects not anticipated in or provided for by the operating budget
- Support the communities in which UCE resides
- Enhance, repair, or improve the UCE’s building and property
- Provide scholarships and grants to UCE members and staff for education and training
- Support the wider mission of Unitarian Universalism
With the addition of this donation, Endowment’s current balance is now over $1.4 Million, which means that in 2019, we will be able to grant approximately $70,000 – a significant jump from the $21,000 we can grant this year.
How does this impact UCE’s financial picture?
Issues many church communities grapple with when they receive a gift of such magnitude are: How will this impact our church in the long run? What about our annual pledge drive? What about capital campaigns? And, how do these three work together?
- Our annual pledge drive provides the operating funds to keep the lights on, the staff here and programs for our church community.
- Capital campaigns are intended to finance significant maintenance and improvements to UCE’s structures.
- And the Endowment Fund is designed to insure a lasting financial base so we can continue to nourish our congregation and empower our life-changing work in the community.
As stated earlier, in 2019, the Endowment Fund expects to grant around $70,000. While a remarkable number, it is less than 10% of our annual operating budget of $750,000. Our community still needs to live out our commitment to UCE through our annual pledges. (So, if you haven’t turned in your pledge form, please do so!) And, we will still need to mount periodic capital campaigns to address improvements that go beyond our annual pledges.
But now we also get to imagine and dream bigger than ever before about our work in the world. To lengthen our vision and create a new reality for UCE. To use this extraordinary gift for an even stronger future as we continue to “nurture the human spirit for a world made whole.”
We hope you will join us in celebrating this extremely generous and transformational gift.
—The UCE Endowment Committee
Volunteers Make It Happen
Volunteers are the life-blood of any non-profit organization. The paid staff and clergy keep the body healthy, of course, and the Board of Trustees through policy-making builds the skeleton on which the church can grow, but its volunteers who put flesh on the bones and make it come alive.vVolunteers give any program or project its human touch – they infuse their work with beauty and humor and fun. They bring skills to the tasks, they bring energy, an they bring the wisdom of the crowd.
But we are all busy people, and sometimes it is difficult to find volunteers to animate a pet project. Howvto recruit volunteers? It starts by asking for help the right way: in person, face-to- face. The personal appeal communicates your sincerity, your commitment, your belief in the importance of the work. It helps people say “yes” if you explain in some detail what needs to be done. Write a job description, or at least indicate the time, travel and skills that might be required. A good place to begin planning for volunteers is at the UUA website: https://www.uua.org/leadership/skills/development/101254.shtml
Welcome Table
Dr. Mary Lamb Shelden
Home to the table, home to the feast,
Where the last are the first and the greatest are the least . . .
Where the rich will envy what the poor have got –
Everybody’s got enough, though we ain’t got a lot –
No one is forgotten, no one is alone,
When we’re calling all the children home.
~ John McCutcheon
There’s a rosy glow around my memory of the family dinners of my childhood. My mother cooked five nights a week – a feat hard to fathom in the current version of my world. There were four of us growing kids in those days, and though Mom was far from a typical housewife, she did this thing nightly without fail until I was around ten years old, and my brothers, who had eaten with such gusto and appreciation, went off to college. It was more hit or miss after that. By then, we girls could cook for ourselves, and well, so her cooking became a more occasional thing. But for that stretch of time until I was ten, other than fish sticks on Friday or burgers on Saturday, Mom generally made the meal happen, and marshalled us all into action: cutting up fruit or veggies, setting table, clearing table, doing dishes – there were plenty of jobs to go around. One of the remarkable things about our culture of family mealtime was that Mom made an effort to make these chores gender equitable, and Dad backed her up on this; tasks were generally assigned by age, rather than gender. And in this way, with plenty of reminding and cajoling and the occasional sound of Mom putting her foot down, dinner happened on a nightly basis.
I’m aware of some nostalgia as I recall these events. It wasn’t always delightful. My dad was an Abbott exec who commuted daily from Libertyville to North Chicago. If he left work late or traffic was bad, things would get tense at home. The meal was coordinated to coincide with his homecoming at a particular time, and if my mom was going to the trouble of cooking, you’d best be on time for the meal. This was, of course, in the days before cell phones, so if Dad didn’t walk in the door at 5:30, there was some suspense around the reason for his delay and just how long she would need to keep the meal warm and the hungry children at bay. Still, in a way, this tension around unscheduled delays is more a measure of how often things went according to plan than it is an indication of deviation from it. Then, too, my parents’ relationship was sometimes stormy, or sometimes one of us kids was in trouble. The family dinner table was also the place for family meetings, which in my family were generally about scheduling but often about some sort of family psychodrama playing itself out. I think the stress around meal planning and preparation and family scheduling and conflict have a lot to do with why I was not so adamant about family mealtime when it came time to raise my own daughter. Still, a lot went right in that nightly ritual, much of which I hold fast to and seek to reproduce in my own life.
For one thing, there was the daily check-in and relating of stories about our day. Often my dad’s report was inscrutable to me – the players in it mostly faceless in my mind’s eye, the plots driven by tensions and conflicts I couldn’t fathom. But often Dad brought home a story specifically with us kids in mind – some comedy of error about life in corporate America. My mom was a first-grade teacher when I was little, and later went back to graduate school and became a special ed teacher. Her stories were often about what she was teaching, or learning, or challenges with particular students. The characters in the daily stories of my siblings were better known to me – indeed, sometimes they were at the table with us. That celery-green laminate kitchen table seemed endlessly expandable, and extra places were often set – for neighborhood chums or friends from school, for John and sometimes Greg when they came out from the city, for this or that family friend. Sometimes their stories mingled with ours, or they asked questions to draw us out, or commented on what we’d related. I think my love of story comes in large part from this nightly ritual, as well as my sense of audience.
Then, too, every topic of the day was discussed at our family dinner table: the war in Vietnam, the draft, women’s liberation and equality, gun control, contraception and abortion, gay rights, Watergate, world hunger, world religion, and whatever election was upcoming. My parents, both seekers, shared with us the expanse of their minds, open to learning and, in turn, we each shared what was in our own growing hearts and minds. Everyone at the table of every age was invited to weigh in on whatever was the current topic, and we were invited to try on one another’s perspectives, and to try to imagine perspectives not in the room with us. Though it was never explicitly stated and may have only been half-conscious, what my parents were doing was trying to help us navigate the world around us with compassion, empathy, an open mind, and a questing spirit. Whatever food was on the table each night, there was a concomitant food for thought, as nourishing to me today as it was fifty-odd years ago.
When I consider what is meant by intergenerational religious education, this is the model uppermost in my mind. Though I know many families these days do not share a nightly meal together, as demands on our schedules have increased and our culture has forgotten to honor this nightly ritual, still I hope that the family dinner table of my childhood – or maybe one in your memory or imagination – can offer at least a metaphorical model of what is possible. As each of us considers our own ongoing spiritual development in our community of learners, I hope we see that it’s not enough for us to commune with our agemates. Though we may find our most simpatico audience there, reaching across generations can be a way to bump us out of our well-worn grooves and patterns of thought and into new perspectives and ideas. And we have both a duty and a joy to bring those behind us in the story of time into the larger conversation, to make space for them to weigh in, test their own ideas, and discover the expanses of the mind. What nourishes us is what sustains us – but just as importantly, what nourishes us is what we sustain. Come in – set your place and get your plate. Pull up a chair. Join us at the table.
© March 21, 2018
Sunday, April 15, 2018
Rudi Harst will lead worship with me on Sunday, April 15th, with a service called Hurry Slowly. and as a special thank you to this community, we are hosting an after-church concert. Rudi will share “Songs and Stories of Life, Love, and Laughter … a heartwarming, toe-tapping, finger-snapping good time that’s guaranteed to make your heart smile and your spirit soar!”
Rev. Bret Lortie