Sunday Service: In-person and Online Sunday at 10:30am

Never Been to the Serendipity Auction Before? Here’s Why You Will Have a Great Time

The Serendipity Auction is often called the “social highlight of the church calendar.” If you’ve never been to this spectacular event you may be wondering why.

On November 11th, the sanctuary will be transformed into an elegant auction hall. Some members will dress up, but it’s not required.

Get to know someone new over a delicious dinner (there will be gluten-free and vegetarian options). Then walk around the silent auction tables and make some bids. Be sure you return to your desired items frequently to make sure you haven’t been outbid. There are items at every price point and for every interest. Bid on a gift basket, a gathering at someone’s home, gift cards to your favorite restaurant, or beautiful handmade jewelry. You will be amazed by all the options.

After the silent auction closes, the live auction will begin. This year we have a brand new auctioneer/magician. Before the live auction starts, make a game plan for what to bid on with the printed catalog. Each item will be announced and then watch as your fellow members and friends one up each other until the winning bid is made. Don’t hesitate to hold up your number when the item speaks to you. You don’t want to miss out when it’s going, going, gone.  The live auction is full of excitement and laughter.

After the live auction there will be a raffle for some truly magnificent prizes. Maybe it will be your lucky night.

If you are still on the fence, give it a shot. It’s a great evening out—good dinner, conversation, child care, all for a good cause. You won’t regret it.

Click here to make your dinner reservation and reserve free childcare.

Click here to view the auction catalog.

Never Been to the Serendipity Auction Before? Here’s Why You Will Have a Great Time2017-10-13T18:15:04+00:00

The Cost of Privilege

Dr. Mary Lamb Shelden

“I believe that every thought and every act of racism is harmful; if it is my thought or act, it is harmful to me as well as others.” ~The Birmingham Pledge (http://www.thebirminghampledge.org/)

 

In one of my earliest memories – I must have been only about age 3 or 4 – my family stands around me. I am seated in a blue tweed easy chair in the living room. There are many faces encircling me. In my memory, I see the scene alternately from my seated vantage point and as someone standing just outside the circle. I am being asked to say “negro.” Someone special is coming to visit – a new friend – and I’m being coached to see whether I can say the word clearly. If I can it will be fine. If not, I will hurt our new friend’s feelings. It will be very, very bad if I say the word unclearly. Which, of course, is what I do. It’s agreed, then, that if I have any cause to comment on the appearance of our new friend, I should use the word “black.”

To this day, I cannot tell this story aloud without weeping.

This is my earliest memory of racial difference. Later that day, our new friend did come to visit us, and he is a cherished friend to this day. But the tension of that moment before his arrival has also always remained with me; like a sore in the mouth that the tongue seeks out again and again, I have returned to this memory – first as a moment of shame, that I could not get it right, and then later with curiosity as a fraught moment of my development, and then later still as a personal interlude representative of a larger cultural moment. For decades, I thought of it as the moment I learned about blackness. It is only more recently that I have begun to understand it as the moment I learned about whiteness – about my own race, and about my unsought, unwished-for power to harm. I remember with clarity the sense of dread and frustration and grief I felt at the possibility that I might accidentally hurt another person’s feelings enough to do lasting injury.

I have been awake to the need for racial justice my whole life. At first, my conception of it was interpersonal: if white folks could just learn to treat people of color equitably, it would be better. I came later to understand it more historically; Alex Haley’s Roots, in my teens, and in my twenties the PBS documentary, Eyes on the Prize, were the first key textbooks of my remedial education in racial history, but curiosity and a hunger to understand took me further. I am grateful to my professors in Women’s Studies and the African-American authors they taught me for helping me to understand race as a social construct, and racism as systemic – as largely institutional and unconscious socialization. I’m grateful to friends and colleagues in Richmond, Virginia, for helping me to discern racism as structural—as built not only into our institutions and policies, but into things as solid and enduring as our roadways and county lines and transportation systems. My understanding of racism has evolved considerably over the decades since that first remembered moment –but even so, that moment contains the kernel of understanding I’ve drawn on most recently.

I understand my privilege as a white person – in socio-economic status, certainly, and in access to resources like education. I would never deny this privilege. While other aspects of my identity may put me at a disadvantage, most assuredly my race advantages me in ways I have done nothing to merit. When I first began to learn about the untold histories of peoples of color, I felt a guilt I thought was unearned, as a person who never supported, for example, slavery or Jim Crow; then I began to realize that there were things I did or didn’t do, and ideas I unconsciously held, that I could still do something about; and eventually I began to understand that I could actually use some of the privilege I have to mitigate some of the systemic damage from institutional and structural racism. I have come to understand, over time, that when I take these steps, it is freeing to my own soul. I feel some relief from the earned and unearned guilt, and I tread a bit more lightly on the earth.

Indeed, it is only within the last couple of years that I’ve begun to understand what I felt in my heart in that first recognition of race as a youngster – an idea that I think our use of the word “privilege” may obscure for many: that racism – indeed, oppression of all kinds – doesn’t just hurt those oppressed. This is, I think, a thing understood by many people of color, but too seldom by people of whiteness. While the benefits of privilege are undeniable, it exacts a cost on the spirit of the oppressor. It is not ultimately a positive to me that mainstream history is centered on my race; that our economic system is set up to disadvantage people “not like me”; that our neighborhoods and townships and counties are set up to exclude people “not like me”; that it’s hard to form friendships across racial lines. While the financial benefits and relative ease of access to resources is undeniable – indeed, I have no wish to deny them – I cannot see it as ultimately of benefit to me that others are disadvantaged by my race. Indeed, I feel the wrong, the loss, the pain acutely.

In many ways, I am still that four-year-old, still wishing with all my might that I could change things so that I had no power to harm my friend.

 

© October 12, 2017
The Cost of Privilege2019-05-15T14:50:22+00:00

Sunday, October 15, 2017

“White Supremacy Teach-in, Part II” – 9:15 and 11:00am
A follow up to our spring Teach-In, this service will explore further what it means to live within a “Culture of White Supremacy,” and how this differs from being a white supremacist.

October 15, 2017 – Rev. Bret Lortie

Sunday, October 15, 20172017-10-26T18:22:11+00:00

From the Executive Operations Director – Lobby Art News

Sandra Robinson

Lobby Art News – Sunday October 1st kicked off the return of lobby art at UCE!

You may have noticed these beautiful paintings in our UCE lobby. They are the work of Barbara Blades, Evanston artist. Barbara was introduced last Sunday and was available for questions and information in the lobby following both services.

The art gracing the lobby is part of our reinvigorated Lobby Art Initiative begun many years ago to highlight work of local artists and raise awareness of arts at UCE. Members of the committee are: Will VanDyke, Johna VanDyke, Eleanor Speiss Ferris, Ally Hunter, Gay Riseborough, and Andrea DeMers.

Funding for this program comes from the Rosemary Zwick Fund for the Arts, a UCE dedicated fund established in memory of our beloved Rosemary Zwick who made the UCE Chalice which we use each Sunday, the mural in Room 3 and the ceramic wall relief of the chalice as you enter the west/main entrance.

Art is an important component of our mission to “Nurture the Human Spirit for a World Made Whole” and is reflected in the UCE end statements written by the Board of Trustees.

From the Executive Operations Director – Lobby Art News2017-10-05T15:45:32+00:00

Sunday, October 8, 2017

“Courage Following Tragedy” – 9:15 and 11:00am
How do we make sense of a world that seems to be falling apart? In a week containing one of the worst mass shootings in American history, we find the courage to move on. Rev. Bret Lortie speaking.

October 8, 2017 – Rev. Bret Lortie

Sunday, October 8, 20172017-10-10T19:13:50+00:00
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